Manon Lescaut
The opera which made Puccini’s name and settled his music in the hearts of us all.
Stay connected
Join the Grange Festival community and stay connected to a world of enchanting performances and exclusive events.
The opera which made Puccini’s name and settled his music in the hearts of us all.
Join the Grange Festival community and stay connected to a world of enchanting performances and exclusive events.
Principal Guest Conductor at the Wexford Festival Opera, Francesco Cilluffo was born in Turin, where he graduated in Conducting and Composition from the “G. Verdi” Conservatoire, also graduating in History of Music from the University of Turin (DAMS). He furthered his studies in London, where he was awarded a Master at the Guildhall School of Music and Drama and a PhD in composition at King’s College, London. He specialized at the Accademia Chiagiana (Siena), eventually assisting Michael Tilson Thomas, John Eliot Gardiner, Asher Fisch, John Mauceri and Lothar Zagrosek.
Among his most notable engagements: Cilea’s Gloria for the opening of the 2023 season at the Teatro Lirico in Cagliari; Cilea’s L’Arlesiana at the Teatro Pergolesi in Jesi (recorded in CD and DVD for Dynamic); Wolf-Ferrari’s Il Campiello for the opening of the season at the Teatro del Maggio in Florence and at the Teatro Verdi in Trieste; the world premieres of Le Braci (Embers) and Miseria e Nobiltà by Marco Tutino, at the Teatro del Maggio in Florence, at the Festival della Valle d’Itria and at the Teatro Carlo Felice in Genoa, where he also conducted Il Barbiere di Siviglia; L’Elisir d’amore at the Teatro Comunale in Modena and at the Teatro Regio in Parma; Rossini’s La Cambiale di matrimonio and a Verdi Gala at the Teatro Regio in Parma; La Traviata at the Opéra Royal de Wallonie, Liège; Zemlinsky’s Der König Kandaules at the Teatro Massimo in Palermo; Nabucco at the Kiel Opera; Gound’s Roméo et Juliette, Rigoletto, L’Elisir d’amore and Madama Butterfly at the New Israeli Opera, Tel Aviv; Tancredi, Trovatore, A Midsummer Night’s Dream by Britten, La voix humaine, Cavalleria rusticana and Aida for OperaLombardia; Tosca at the Tulsa Opera (USA); Mascagni’s Isabeau, Puccini’s Le Villi and Delius’ Margot la Rouge at Opera Holland Park (London); Verdi’s Requiem, Macbeth, Falstaff and Puccini’s Manon Lescaut at the Grange Festival with the Bournemouth Symphony Orchestra.
Also active in the symphonic field, he has conducted: Verdi’s Requiem with the Bournemouth Symphony Orchestra; Mozart’s Requiem (ed. Levin), Duruflé’s Requiem and Shostakovich’s Symphony No. 14 with the Turin Philharmonic Orchestra ; Mahler’s Das Lied von der Erde at the Festival della Valle d’Itria in Martina Franca; Cherubini’s Requiem in c minor with the Accademia Stefano Tempia in Turin; concerts with orchestras such as: Bremer Philharmoniker, RTÉ Concert Orchestra, Dublin; Orquesta Filarmónica de Santiago, Chile; Jerusalem Symphony Orchestra; LaToscanini in Parma (with the Italian premiere of Absolute Jest by John Adams), Orchestra of the Arena di Verona, Orchestra of the Teatro Lirico in Cagliari, ORT-Orchestra della Toscana, I Pomeriggi Musicali Orchestra in Milan.
At the Wexford Festival Opera, he conducted: Mascagni’s Guglielmo Ratcliff, Alfano’s Risurrezione, Leoni’s L’Oracolo, Giordano’s Mala vita, Catalani’s Edmea, Halévy’s La Tempesta, as well as several gala concerts.
Future engagements include: Le Nozze di Figaro and Brahms’ Ein Deutsches Requiem at the Volksoper in Vienna; La Ciociara (Two Women) by Tutino at the Wexford Festival Opera; Tosca at the Grange Festival with the Bournemouth Symphony Orchestra; symphonic concerts with LaToscanini in Parma.
Stephen Lawless’ current engagements include Le nozze di Figaro (Palm Beach)‚ Romeo et Juliette (Barcelona)‚ Anna Bolena (Canadian Opera Company)‚ Roberto Devereux (San Francisco) and Katya Kabanova (Scottish Opera).
Other productions include Don Giovanni (Metropolitan Opera), Boris Godonov (Vienna Staatsoper); Der Fliegende Holländer‚ Daphne‚ Capriccio‚ Semele, Cav & Pag (New York City Opera); Il trovatore‚ Vanessa‚ and L’elisir d’amore (Washington and Philadelphia); Un ballo in maschera‚ Il trovatore‚ L’elisir d’amore‚ Don Pasquale, Falstaff (Los Angeles); Capriccio, Boris Godonov (San Francisco); Le nozze di Figaro, La bohème (Chicago); Le nozze di Figaro‚ Cav and Pag‚ La clemenza di Tito‚ Maria Stuarda‚ Anna Bolena, Boris Godonov (Dallas); Scarlatti’s Griselda (Deutsche Staatsoper); Boris Godonov, Un ballo in maschera (La Fenice); Orfeo‚ Tancredi, Iolanta, Francesca da Rimini (Theater an der Wien); Die Fledermaus (Geneva, Beijing); Death in Venice, Falstaff, Die Fledermaus (Glyndebourne); Le nozze di Figaro‚ Tosca‚ Der Rosenkavalier, Un ballo in maschera (Hong Kong Festival); Peter Grimes‚ Die Fledermaus‚ Otello, William Tell (Graz); Acis and Galatea‚ Venus and Adonis‚ Dido and Aeneas‚ Don Chisciotte in Sierra Morena (Innsbruck); Salome, Ring Cycle (Nürnberg); Maria Stuarda (Toronto); L’elisir d’amore‚ Faust, Romeo et Juliette, Carmen (Santa Fe)‚ Der Rosenkavalier (Boshoi), Otello‚ Die Fledermaus (Korea)‚ The Flying Dutchman (Washington); Le nozze di Figaro (Kansas and Philadelphia); La clemenza di Tito (St Louis) and Rusalka (Magdeburg).
Adrian trained at the Wimbledon School of Art in London.
UK productions include The Castle, The Tyrant, Eugene Onegin, Cosi fan tutte, The Witch of Edmonton and the environment for the New Writing So & So Hopeful season this summer (London); Star Quality, Betrayal, Family Voices, The Glass Menagerie, The Maids, the UK premiere of Lorca’s When Five Years Pass (Edinburgh Fringe First Award), Blood Wedding, Iphigenia at Aulis, The Shoemakers Wonderful Wife, and Yerma.
Work abroad includes Il turco in Italia (Angers Nantes Opera and Theatres de la Ville, Luxembourg), Sunday in the Park with George (Theatre du Chatelet), Falstaff (LA Opera), Offenbach’s La Grande Duchesse du Gerolstein (Santa Fe Opera), Orfeo Ed Eurydice with David Daniels (Minnesota Opera), The Bald Soprano and The Maids in New York, ART, A Twist of Fate (world premiere), Blithe Spirit (Sing)
Other productions include Sondheim’s Assassins for Pimlico Opera, new writing at The Finborough includes Tango ’til you’re sore, The Chain Saw Manicure and Acid hearts, The Turn of the Screw (Macedonian Opera), Die Fledermaus and Katya Kabanova(Scottish Opera), and co-designed Il Trovatore (Bastille Opera, directed by Francesca Zambello).
This year Adrian is working on a production of The Rake’s Progress for Royal Academy of Music which opens in March, Rigoletto for Santa Fe Opera opening in July, and a new play Dear Lupin, staring James Fox which starts its UK tour in April.
Lynne Hockney trained at the Royal Ballet School. Her choreographic career has encompassed opera‚ theatre‚ film and television‚ largely in the UK and USA‚ working with directors as diverse as James Cameron‚ Arnold Schwarzenegger and Sir Peter Hall. Her work has been seen at repertory theatres throughout the UK and USA and her extensive list of film credits include The Village‚ Titanic‚ True Lies‚ Town & Country‚ Wild‚ Wild West‚ and Rocky & Bullwinkle.
Recent and forthcoming engagements include Katya Kabanova (Scottish Opera and Magdeburg); directing A Midsummer Night’s Dream (Malmö), Dead Man Walking (Royal Danish Theatre and Den Norske Opera), The Life and Death of Alexander Litvinenko and La bohème (Grange Park Opera); Simon Boccanegra (Latvian Opera), Billy Budd (Opera North) and Lucia di Lammermoor (Oldenburg). Other engagements include her own production of La Cenerentola (Erfurt); Der Rosenkavalier (Bolshoi Theatre); Otello (Korean National Opera); Giulio Cesare (Erfurt); Rusalka, Traviata and La Vie Parisienne (Magdeburg); Don Quichotte (Nederlandse Opera); Tancredi‚ Iolanta‚ Francesca da Rimini and Orfeo ed Euridice (Theater an der Wien); Otello and William Tell (Graz); The Maiden in the Tower (Buxton Festival); Jenufa (Glyndebourne); Jenufa, Boheme, Fiddler on the Roof and A Little Night Music (Malmö) and Eugene Onegin (Opera de Lyon).
A graduate of the Royal Academy of Dramatic Art (1973) in London and for almost 50 years working in Opera, Ballet, Musicals and Theatre worldwide including the London West End and on Broadway in New York.
Long associations in the UK with Glyndebourne Opera, English National Opera, The Royal Opera Covent Garden, National Theatre, English National Ballet, Chichester Festival, The Donmar Warehouse and The Almeida Theatre.
Work worldwide includes productions in America (Metropolitan Opera, Los Angeles, Houston, Seattle, San Francisco, Washington), Australia, Austria, Denmark, China, Czech Republic, France, Germany, Holland, Hong Kong, Israel, Italy, Japan, Monte Carlo, New Zealand, Russia (Bolshoi and Mariinsky), Spain, Sweden and Switzerland.
Welsh Soprano Elin Pritchard is a graduate of the Royal Conservatoire of Scotland. She is also a Samling Artist.
Her operatic roles have included Micaëla Carmen, Female Chorus The Rape of Lucretia, Miss Jessel The Turn of the Screw, Nella Gianni Schicchi, Giorgetta Il tabarro, Musetta La bohème, Lucia Lucia di Lammermoor and Anne Trulove The Rake’s Progress. Recent and future engagements include Nedda I Pagliacci and Kupava The Snow Maiden (Opera North), Marie Daughter of the Regiment (Buxton Festival), Tatyana Eugene Onegin and Violetta La traviata (Den Jyske Opera), and Micaëla (WNO).
On the concert platform recent and future engagements include Beethoven Symphony No. 9 with the Dresden Philharmonic Orchestra, Poulenc Gloria with the Royal Philharmonic Orchestra, The Apostles at Canterbury Cathedral, Brahms Requiem with the Ulster Orchestra and Opera Galas for the Samling Foundation.
Australian baritone Nicholas Lester studied at the Adelaide Conservatorium of Music and the National Opera Studio, London and was a State Opera of South Australia Young Artist. His studies were sponsored by Glyndebourne Festival Opera as the recipient of the Anne Woods/Johanna Peters Award and he was a recipient of an Independent Opera/National Opera Studio Postgraduate Voice Fellowship‚ awards from the Simon Fletcher and Tait Memorial Trusts and is very grateful for support from Chris Ball and Serena Fenwick. In 2014 Nicholas was delighted to be voted ’Best Male in a Leading Role’ by the Opera Holland Park audience for his performance as Figaro Il barbiere di Siviglia.
Recent and future plans include title role Don Giovanni (Kilden Opera), title role Orphée, Marcello La Bohème and Cascada The Merry Widow (ENO), Ford Falstaff and Lescaut Manon Lescaut (Grange Festival Opera), Chou en Lai Nixon in China, Josef K in Philip Glass’s The Trial‚ Germano La Scala di Seta‚ Dr Malatesta Don Pasquale and Ping Turandot (Scottish Opera), Daddy Bear Goldilocks and the Three Little Pigs The Opera Story‚ Marcello (New Zealand Opera, English Touring Opera‚ Iford Festival and Lyric Opera Productions‚ Dublin), title role Eugene Onegin and Figaro Il barbiere di Siviglia (Welsh National Opera)‚ Onegin and Belcore L'Elisir d'Amore (West Green House Opera), Guglielmo Cosi fan tutte‚ Dandini La Cenerentola, Figaro and Frédéric Lakmé (Opera Holland Park)‚ Valentin Faust (Dorset Opera Festival)‚ Guglielmo Cosi fan tutte (Danish National Opera)‚ Escamillo Carmen (Mid Wales Opera)‚ excerpts of Gianni Schicchi (title role) in a broadcast performance from Amsterdam’s newest concert hall‚ Bimhuis‚ and Bohuš The Jacobin (Buxton Festival). Recent concerts include Raymond Gubbay Spectacular Classics at Bridgewater Hall and Sea Symphony with Brighton Philharmonic conducted by Barry Wordsworth.
He created the role of Edward Lear in Ode to nonsense- a co-production between Slingsby Theatre Company and State Opera of South Australia in Adelaide‚ and performed Marcello for the State Opera of South Australia. Further roles include Fred / Petrucchio Kiss Me Kate (WNO)‚ Belcore L’elisir d’amore‚ Conte Almaviva Le nozze di Figaro‚ Don Giovanni (title role)‚ Theseus A Midsummer Night’s Dream‚ Doctor and Shepherd Pelléas et Mélisande‚ Diarte Erismena (Cavalli)‚ Justizrat and Storch Intermezzo‚ Schaunard La bohème‚ Onegin Eugene Onegin‚ Pietro Simon Boccanegra‚ Aeneas Dido and Aeneas‚ The Foreman Jenufa‚ Miguel Betrothal in a Monastery (Prokofiev)‚ Colonel Calverly Patience‚ Pirate King The Pirates of Penzance‚ Sir Joseph Porter HMS Pinafore‚ Paris Roméo et Juliette‚ Kagler Wiener Blut‚ The Vicar Albert Herring.
Notable concert engagements include Mahler’s Lieder eines fahrenden Gesellen for Maurice Béjart’s ballet Song of a Wayfarer with English National Ballet at the London Coliseum‚ performances of Mendelssohn Elijah‚ Bach Cantatas‚ Rameau Motets and Mozart Requiem. He has sung Brahms Requiem in Beijing‚ Vaughan Williams Five Mystical Songs with the City of Birmingham Symphony Orchestra‚ the Fauré Requiem at St Martin-in-the-Fields and Messiah under Laurence Cummings.
Peter Auty is established as one of Britain’s leading tenors. Since his professional debut at Opera North, he has sung with all major UK companies including the Royal Opera House, Glyndebourne, English National Opera, Welsh National Opera and Scottish Opera. Abroad he has worked with companies including Aalto-Musiktheater Essen, Oper Frankfurt, Nationale Reisopera, New Zealand Opera, and Malmö Opera.
He made his recital debut in London in the 2009 Rosenblatt Recital Series and has appeared in concert with the London Symphony Orchestra, the Hallé, the Orchestra of the Age of Enlightenment, the London Philharmonic Orchestra, the BBC Philharmonic, at the BBC Proms and in the Leeds International Concert Season. Abroad he has appeared with the Iceland Symphony Orchestra, the Bergen Philharmonic, the Royal Flemish Philharmonic and the Orquestra Sinfônica do Estado de São Paulo.
Recent and future highlights include a return to Welsh National Opera (Don José Carmen), Johnson The Girl of the Golden West for the RTÉ National Symphony Orchestra, the title role in Puccini’s Edgar for Scottish Opera and at Konzerthaus Berlin, and highly acclaimed performances of Canio Pagliacci with Opera Ensemble in London and at The Grange Festival, Longborough Festival Opera and Iford Arts.
Stephen Richardson studied at the Royal Northern College of Music. He has created roles in operas including Thomas Adès’s The Tempest, Tan Dun’s Tea and Barry’s The Triumph of Beauty and Deceit, The Intelligence Park and The Importance of Being Earnest. He also sang Commander in the UK premiere of Ruders’s The Handmaid’s Tale (ENO) and performed in world premieres of works by John Tavener including The Apocalypse and Fall and Resurrection.
Recent engagements include Baron Ochs Der Rosankavalier (Bolshoi‚ Moscow and Opera North), Simone Gianni Schicchi, Dikoj Kát’a Kabanová, The General Silent Night and Dansker Billy Budd (Opera North), Dansker (Rome), Doctor Bartolo Le nozze di Figaro (Garsington and Grange Park Opera), title role The Mikado (Scottish Opera); Hotel Manager Powder Her Face and Timur Turandot (Northern Ireland Opera), Sir Joshua Cramer The Intelligence Park (Linbury Theatre, Music Theatre Wales). Further highlights include Mr Flint Billy Budd, Stefano The Tempest and Hobson Peter Grimes (ROH), Baron Ochs and Daland The Flying Dutchman (ENO), Rocco Fidelio (Opera Holland Park), Don Quichotte Le Chevalier Imaginaire (Ensemble Intercontemporain) title role Falstaff and Sarastro Die Zauberflöte (Opera Australia).
Richardson has sung in concert with orchestras including the London Symphony Orchestra, BBC Concert Orchestra, Los Angeles Philharmonic, Cleveland Orchestra and London Sinfonietta and has recorded widely.
Kamil has performed extensively and has won numerous prizes. In 2021 Kamil will return to The Grange Festival to perform the roles of Edmondo, Lampionaio and Maestro di Ballo in Manon Lescaut. Previously, he performed the role of Don Curzio in The Grange Festival's production of Le Nozze di Figaro (2019), Alemric in Iolanta during the Les Azuriales Festival (2019). At the RNCM Kamil performed the roles of Messenger and Interpreter in Pilgrim's Progress and Le Prince Charmant in Cendrillon. He has also appeared in Lehar's The Merry Widow and Weill's Street Scene.
In 2016, he was awarded 3rd Prize in the Junior category at the A. Dvorak Vocal Competition in Karlovy Vary, as well as the George Fischer Prize for the best interpretation of a Mozart aria. That year, he has also won Poland's Ars et Gloria International Vocal Competition of Sacred Music and the Jan Kiepura Prize. Furthermore, he is the holder of the Young Singer's Prize from the R. Zandonai International Competition, the Kerry-Keane Young Junior Prize at Les Azuriales Festival as well as the James Martin Onken Song Prize.
Kamil attended masterclasses led by Ron Morris (GSMD, RNCM), Dennis O'Neill, Thomas Heyer (HfMDK in Franfkurt), James Platt (London), Matthias Rexroth, Eytan Pessen and Isabella Klosinska (ENOA Warsaw), Tobias Truniger (Munich Opera House), Pawel Sobierajski (Katowice, Poland), Ryszard Karczykowski, etc. He has performed with a number of ensembles including the Prague National Theatre Orchestra, Karlovy Vary Symphony Orchestra, the Silesian Philharmonic in Katowice and in Zabrze.
Kamil received his Bachelor's degree from the Royal Northern College of Music, where he studied with Nicholas Powell and his Master's degree from the Guildhall School of Music and drama under Professor Janice Chapman.
Mezzo-Soprano Angharad Lyddon is a graduate of the Royal Academy of Music, London, having studied with Janice Chapman, Audrey Hyland and Glenville Hargreaves on the college’s Advanced Diploma in Opera, B. Mus and M. A. degree courses. She continues to study with Janice Chapman.
While at the college, her roles for Royal Academy Opera included Lucretia in The Rape of Lucretia, Baba the Turk in The Rake's Progress, Zita in Gianni Schicchi, Filipyevna in Eugene Onegin, Madame de la Haltière in Cendrillon and Polinesso in Ariodante. In opera scenes, she performed the Title Role in Carmen, 1st Maid in Elektra, Nancy in Albert Herring, Orfeo in Orfeo ed Euridice, Older Woman in Flight and Marcellina in Le nozze di Figaro.
Angharad made her professional début for English National Opera in 2015 as Kate in Pirates of Penzance and performed the role again in their 2017 revival. She sang the role of Daughter of Akhnaten in their 2019 revival of Phelim McDermott’s Olivier Award-winning production, Akhnaten. She has also understudied Hermia in A Midsummer Night’s Dream, Perdita in The Winter’s Tale and Schoolboy, Dresser and Waiter in Lulu for the company.
Other operatic roles include Olga in Eugene Onegin at the 2019 Buxton International Festival and Flosshilde in Das Rheingold for Grimeborn Festival in 2019, Hansel in Iford Arts’ 2018 Education Project, entitled ‘Gingerbread’, based on Humperdink’s Hansel and Gretel, Suzuki in Madam Butterfly for Salon Opera, Julia Bertram in Mansfield Park for The Grange Festival, Cherubino in The Marriage of Figaro for Clonter Opera and Dritte Dame in Die Zauberflöte at the Åbo Svenska Theater in Finland. She was a Jerwood Young Artist at Glyndebourne in 2013 and in 2016, sang Woodpecker in Cunning Little Vixen and covered Hermia. Other covered roles include Polinesso in Ariodante and Alto in Trauernacht, a staging of Bach Cantatas, for Festival d'Aix en Provence.
Angharad is a Samling Artist and among her concert highlights are performances at the Wigmore Hall, Stravinsky's The Faun and the Shepherdess and Requiem Canticles with Vladimir Jurowski and the London Philharmonic Orchestra at the Royal Festival Hall, Bach Cantatas with Sir John Eliot Gardiner and Handel’s Messiah at the Royal Albert Hall. Recent concert performances include recitals at St David’s Hall, Cardiff and the Cowbridge Music Festival, the roles of Marta and Pantalis in a concert performance of Boito's Mefistofele for the Chelsea Opera Group at the Southbank Centre, a tour of Mendelssohn’s Elijah in Cardiff, St Davids and Berlin, Mahler 2 with the Horsham Symphony Orchestra, a concert celebrating the 250th anniversary of Beethoven’s birth with the Orchestra of Welsh National Opera and BBC National Orchestra of Wales and BBC NOW’s St David’s Day concert.
Angharad represented Wales in the 2019 BBC Cardiff Singer of the World Competition and was a Finalist in the Song Prize competition.
Other awards include Semi Finalist at the Wigmore Hall International Song Competition, 2nd prize at the International Voice of the Future, Llangollen International Eisteddfod, 3rd prize at Das Lied International Song Competition 2015 and Finalist and Maureen Leharne Competition, Wigmore Hall.
Recent engagements include Hippolyta in A Midsummer Night’s Dream and Musico in Manon Lescaut for The Grange Festival and Olga in West Green House Opera’s Eugene Onegin.
https://vimeo.com/417077831